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In the process of making a basket there is no time when the individuality of the worker has a better opportunity to show itself than when he is putting the finishing touch. While the basket is still damp, all irregularities of shape which can be changed should be remedied. One side may be higher than the other, perhaps the border is not close to the weaving or the bottom may not be flat; now is the time to look for defects of form, before the rattan dries.

In soaking and weaving even the best rattan becomes somewhat rough, and little fibres protruding here and there do not look well. There are two ways of improving the surface: one is to singe the basket, which must be thoroughly dry, over a lamp; taking great care to hold it so that the fibres will be singed off without scorching the basket. Another and perhaps a better way is to

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